Rocío Asensi. Copyright 2010


I transfer press or family images on different surfaces, mainly mirrors, so that the viewer sees both his/her reflection and the transfered images.
Taking the images out of their habitual context and handling them in a different way, the spectator has the opportunity of seeing them for the first time, of really analyzing them. The excess of information is not letting us understand what happens. We move so fast that we hardly assimilate the experiences we are living.

La Sala Naranja, Valencia 2002.

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